alphabetical author index

Ransom

Appeals to the noblest, most decent, most universal emotions in all humanity.

Hollywood Reporter

Tense, harrowing, and well worthwhile.

London Daily Herald

  • Full Length Play
  • Drama

  • Time Period: Present Day
  • Set Requirements: Interior Set
Two of Hollywood's top-drawer writers have here written a play that begins with an American family on any normal morning, and culminates in one of the most chilling dilemmas in the literature of the theatre. 

Davie's father is a rich manufacturer who promises to help him build a tree-house when he comes home from school. But Davie does not come home today. From their worried calls, his mother and father learn that he has been kidnapped from school by a woman impersonating his pediatrician's nurse. Then comes the demand for ransom: half a million dollars. His father is to give the kidnappers a signal on the TV program which his firm sponsors. Meantime, they sweat out the waiting period and wonder if Davie will ever be seen alive again. 

At the very last moment, Davie's father makes the ultimate moral decision in the life of himself and his family. He preempts the MC's spot to make one of the most startling extemporaneous speeches ever heard. He shows the money, and then says that he will not pay it. He demands the return of the boy unharmed and promises not to prosecute. But failing this, he promises to offer the half million as a reward for the apprehension of the kidnappers, and he asks if they think their associates would prefer them to half a million dollars. For this speech, Davie's father is universally condemned, and the mother collapses in hysterics. In the calm eye of this storm comes the shattering denouement.

REVIEWS:

Appeals to the noblest, most decent, most universal emotions in all humanity.

Hollywood Reporter

Tense, harrowing, and well worthwhile.

London Daily Herald
  • Casting: 11M, 4F

  • D.J. STANNARD - Well set-up, late thirties, graduate of a middle-western State University, an aggressive successful vacuum cleaner manufacturer, somewhat overly devoted to his business.
  • EDITH STANNARD - His wife, thirty-two, attractive, chic, on her toes, a good mother, very much in love with her husband, interested in civic and cultural matters.
  • DAVIE STANNARD - Their seven-year-old, physically like his father, a secure, well-adjusted child.
  • AL STANNARD - D.J.'s brother, nominally Stannard Vacuum's General Manager. An inch or two shorter than D.J. but powerful and stocky. There is an indefinable stamp of mediocrity about him.
  • CHARLIE TELFER - Late forties, a veteran newspaper man and one time alcoholic, with a likably shrewd, cynical, tough face. His clothes are rumpled, his manner blunt.
  • CHIEF HOGAN - Rawboned, moustached, gray-haired, in her early fifties, with a slight limp. A good police officer but not above playing politics.
  • CHAPMAN - The Stannards' middle-aged negro butler. Although Charlie calls him an Uncle Tom, he is his own man with great natural dignity and innate understanding. Deeply religious and emotional.
  • SHIRLEY LORRAINE - The Stannard maid, Chapman's niece, mettlesome girl on nineteen.
  • LANGLY - Comptroller of Stannard Vacuum, middle forties, with the personality of a used car salesman. Obsequious, covertly spiteful.
  • DR. GORMAN - The Stannard family physician, middle-aged, sympathetic, devoted to his patients, quietly effective.
  • MISS PARTRIDGE - Fifty, smart, slim, tweedy, with trim ankles and a still piquant profile. Carefully blue-rinsed gray hair. Elegant, confident, she is the Head Mistress of an exclusive private school.
  • NURSE - Capable, concerned, sympathetic R.N. in her middle forties.
  • DIGGES - Stannard's next door neighbour. Diffident, balding, childless, fussy, belatedly good-neighbourish.
  • GEORGE PORTALIS - Master of Ceremonies of the Stannard Vacuum TV show. Outwardly suave and poised, but a sentimental ham at heart.

    SARECKI - Tough, businesslike FBI agent. Early thirties.

    Name Price
    Ransom Script Order Now

    Two of Hollywood's top-drawer writers have here written a play that begins with an American family on any normal morning, and culminates in one of the most chilling dilemmas in the literature of the theatre. Davie's father is a rich manufacturer who promises to help him build a tree-house when he comes home from school. But Davie does not come home today. From their worried calls, his mother and father learn that he has been kidnapped from school by a woman impersonating his pediatrician's nurse. Then comes the demand for ransom: half a million dollars. His father is to give the kidnappers a signal on the TV program which his firm sponsors. Meantime, they sweat out the waiting period and wonder if Davie will ever be seen alive again. At the very last moment, Davie's father makes the ultimate moral decision in the life of himself and his family. He preempts the MC's spot to make one of the most startling extemporaneous speeches ever heard. He shows the money, and then says that he will not pay it. He demands the return of the boy unharmed and promises not to prosecute. But failing this, he promises to offer the half million as a reward for the apprehension of the kidnappers, and he asks if they think their associates would prefer them to half a million dollars. For this speech, Davie's father is universally condemned, and the mother collapses in hysterics. In the calm eye of this storm comes the shattering denouement.

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