Origin Theatrical

Production Details

MIDDLE OF NOWHERE, THE - A THEATRICAL FANTASY

The songs of Randy Newman are deftly woven into a contemporary "minstrel" show with the sociological punch that has made Newman America's foremost musical satirist.

Set in 1969, five disparate characters find themselves stranded at a bus depot in a back-water Louisiana town. As the rain pours down, their personas pour forth. There's the station's janitor, the jingoistic salesman and his hitchhiking pick-up, the redneck with a guitar case full of beer, and the black GI returning from Vietnam. In a succession of stylised vaudevillian set pieces, this show-within-a-show becomes a bittersweet allegory of American pluralism.

Cast Requirements: PRINCIPALS 1 Woman 4 Men CHARACTERS Joe - an old black man. He seems to be the janitor of the depot. The GI - a handsome black soldier, very intelligent but with a chip on his shoulder. The Salesman - a middle-aged, Jewish travelling salesman with a robust personality. The Girl - a young, white, urban, hitchhiker who's good at taking care of herself. The Redneck - a big, brawny, loud but likeable kind of a guy.

Set Requirements: THE MIDDLE OF NOWHERE takes place in a bus depot somewhere on the back roads of Louisiana 1969.

Genre / Style: Musical, 1960's Louisiana

Rehearsal / Orchestral Material: Rehearsal Set (22 Books, 1 Logo) 20 Libretto-Vocal Books 2 PIANO CONDUCTOR SCORE 1 Logo Orchestration Package (5 Books) 1 PIANO CONDUCTOR SCORE 1 REED (Clarinet, Tenor Sax) 1 DRUMS (Trap Set, Wind Chimes, Tambourines, Triangle) 1 ELECTRIC GUITAR 1 BASS

Musical Numbers: Short People, I Think It's Gonna Rain Today, Marie, Rednecks, Sail Away, Political Science, Maybe I'm Doing It Wrong, Lonely At The Top, It's Money That I Love, Davy The Fat Boy, Baltimore, You Can Leave Your Hat On.

Songs by Randy Newman
Book by Tracy Friedman

"A powerfully coherent theatrical vision of the satiric world of Randy Newman."
The New York Times

"It's magic! ...amazing theatrical finesse... inventive and highly entertaining... a bounty of music and drama."
Chicago Tribune

"One of the few shows to give coherent dramatic shape to material not written specifically for the theater... The product of 20 years of songwriting, Mr. Newman's American portrait gallery blends the sweet lilt of New Orleans rock-and-roll with the ferocious observation of political cartoons."
Stephen Holden, The New York Times